Los principios básicos de RemixThis article needs attention from an expert on the subject. Please add a reason or a talk parameter to this template to explain the issue with the article. When placing this tag, consider associating this request with a WikiProject. (June 2018)
The Creative Commons is a non-profit organization that allows the sharing and use of creativity and knowledge through free legal tools and explicitly aims for enabling a Remix culture. They created a website that allows artists to share their work with other users, giving them the ability to share, use, or build upon their work, under the Creative Commons license.
Some artists have started releasing their songs in the U-MYX format, which allows buyers to mix songs and share them on the U-MYX website.
Figura the cost and availability of new technologies allowed, many of the bands who were involved in their own production (such as Yellow Magic Orchestra, Depeche Mode, New Order, Erasure, and Duran Duran) experimented with more intricate versions of the extended mix. Madonna began her career writing music for dance clubs and used remixes extensively to propel her career; one of her early boyfriends was noted DJ John Jellybean Benitez, who created several mixes of her work.
Slow ballads and R&B songs Gozque be remixed by techno producers and DJs in order to give the song appeal to the club scene and to urban radio. Conversely, a more uptempo number can be mellowed to give it "quiet storm" appeal. Frankie Knuckles saddled both markets with his Def Classic Mixes, often slowing the tempo slightly Ganador he removed ornamental elements to soften the "attack" of a dancefloor filler.
Thanks to a combination of guest raps, re-sung or altered lyrics and alternative backing tracks, some hip-hop remixes can end up being almost entirely different songs from the originals.
Carey is credited for introducing R&B and hip hop into mainstream pop culture, and for popularizing rap Triunfador a featuring act more info through her post-1995 songs with her remix of "Fantasy" featuring Ol' Dirty Bastard.
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There are proposed theories of reform regarding the copyright law and remixes. Nicolas Suzor believes that copyright law should be reformed in such a manner Figura to allow certain reuses of copyright material without the permission of the copyright owner where those derivatives are highly transformative and do not impact upon the primary market of the copyright owner.
Generally, the courts consider what will amount to a substantial part by reference to its quality, as opposed to quantity and the importance the part taken bears in relation to the work Figura whole.
In recent years the concept of the remix has been applied analogously to other media and products. In 2001, the British Channel 4 television program Jaaaaam was produced Triunfador a remix of the sketches from the comedy show Jam.
Virtua Fighter had been released on the Saturn in a less-than-impressive state. Sega had attempted to make an accurate port of the Sega Model 1 arcade version, and therefore chose to use untextured models and the soundtrack from the arcade machine.
The art of the remix gradually evolved, and soon more avant-garde artists such Ganador Aphex Twin were creating more real remixes of songs (relying on the groundwork of Cabaret Voltaire and the others), which varied radically from their original sound and were not guided by pragmatic considerations such Campeón sales or "danceability", but were created for "art's sake".
Recent technology allows for easier remixing, leading to a rise in its use in the music industry. It Chucho be done legally, but there have been numerous disputes over rights to samples used in remixed songs. Many famous artists have been involved in remix disputes.
In the age of social media, anybody Perro make and upload a remix. The most popular apps for doing this are Instagram and Youtube. Many famous artists of today began by making remixes and relifts to popular music. Such artists include Dua Lipa, Adi and R3hab, to name a few. Broader context